Elysian Chants is a hard album to pinpoint. Almost inevitably the word neofolk will be put forward, considering the other projects of the members and the concept. And whilst I’m happy enough to accede that it’s an apt descriptor in the sense that most likely fans of neofolk will harbor interest towards Caverna Delle Rose, Elysian Chants is not neofolk musically.
Release published in four versions: Digipack CD complete with large booklet ( 500 copies), marbled green LP (60 copies), marbled blue LP (60 copies) and black LP (180 copies). Aima is a vocal master of ceremonies in a work steeped in mysticism and archaic rituality, this time on the wings of a particularly powerful magnetism, well supported both by Diego’s synths and by Trevor’s instruments (primarily the decisive percussion).
As I said, creation is a kind of trance for me. I don’t compose because I wouldn’t be able to. The melodies come from a deep feeling, from a connection that is beyond this world. Otherwise I would find no sense in making music or writing.
When I write or sing I do it in a kind of possession state that is very different from creative inspiration. This can also happen during live shows. I leave this earthly part for a moment and I am captivated by something that I can’t define, but I like it.
This album took me by surprise for its instantly Ritual approach. The power of the vocals mixing Ritual- and Ethereal styles has something bewitching. But there also is a great symbiosis with the music, which through its overwhelming sound waves and subtle field recordings reaches a state of climax, a kind of sonic ecstasy.
